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Lucas Kazan leads the way in combining gay adult moviemaking with elements of classical music and beautiful imagery. The result is an amazing kind of art form never before seen in this genre.
In 2004, Kazan themed the visually impressive Backstage around Verdi's La Traviata, all filmed in Italy and utilizing many models from continental Europe.
Kazan continues his Romantic tradition in his sumptuously composed new film The School for Lovers. It deftly retells the story of the opera Cosî fan tutte, which works perfectly fine here even though that particular opera was written by Austrians, and not Italians.
Cosî fan tutte translates so "Women are that way," as depicted by the uniquely funny views of its author, Wolfgang Amadeus Mozart. Consequently, The School for Lovers recasts the roles into gay couples, who are testing the limits of their own fidelity. Essentially, are all guys going to sleep around?
Are guys that way?
That would be an inaccurate assessment here. Kazan has populated his movie with the actual hottest models currently walking on the planet. Jean Franko, Matthias Vannelli and Roberto Giorgio do not receive deserved attention in the United States, but fortunately this movie allows their fans to see them like never before.
Franko (Love and Lust), plays the movie's instigator, posing the question in the form of a bet to Matthias Vannelli and Jason whether or not their boyfriends (Karel Rok and Dejdar) can remain sexually faithful. If they lose this bet, they must do whatever Franko says for twenty-four hours.
Franko easily peels off Dejdar. Dejdar practically leaps onto him while he smokes a cigarette.
In an amazing opener, Dejdar rests on his knees to deep throat Franko's fantastic cock, his jeans pulled just below his waist. An azure blue painted wall behind them forms a remarkable composition of hues and live skin tones. Franko squirts out a hot load of liquid onto his prey's shoulders.
They repair to fuck on a goldenrod colored day bed, with the gasping Dejdar grabbing the sheets as Franko drills him from on top. It is a beautiful display of shimmering ecstasy. Franko takes his time, topping Dejdar in a complete round of positions. Dejdar, a newcomer, is an amazing bottom.
Franko shoots a gusher of a money shot at the scene's end.
After this, Giorgio warms up in a steamy episode between him and Samuel Dolce ( Hard Riders), while Franko watches a nice solo on his laptop with another latin newcomer, the delectible Fabinho.
In a memorable sequence, Dolce mounts Giorgio from above, thrusting down into his upturned ass. Giorgio loves it, grinning and occasionally flashing his tongue piercing.
After this, all that is left regarding the bet is to break Karel Rok's will. He quickly succumbs.
The crafty Giorgio pulls Karel Rok into his lair for a shimmering one-on-one sexual episode that borders on magical ecstasy. Their foreplay is an arousing sequence of them lightly touching each other with their erections, no hands. This delicate display moves to a delicious round of cocksucking, after which they spout hot fountains of cum.
Finally, Rok's sexual indiscretion is richly rewarded by the complete anal exploration of Giorgio's beautiful ass. He tops him doggie style on a table, and in an inspired bit of camera lensing, above Rok's head is the painted red arch of the doorway behind them, giving the distinct impression of an angel's halo.
Their sexual episode certainly appears to be a piece of Heaven. Rok shoots ar beautiful multi spurt arc of jizm on his new friend's tan stomach.
This arguably is Karel Rok's hottest performance.
In the last episode, Franko glows after having been proven correct in his theory about men's behavior. He displays his evidence to Matthias Vannelli and Jason, and then collects them together into a naked arrangement before his running camcorder.
In an additional element of erotic voyeurism, we see Rok and Dejdar peering through the window, watching their boyfriends having sex in front of Franko's camera. "Fuck like men!" Franko implores.
Jason shoots the biggest cumshot of the film all over Vannelli.
So what is everyone's reaction? And what have we learned?
Two hundred and fifty years later, Mozart continues to inspire and illustrate the fantastic aspects of human nature. To Lucas Kazan, we say Bravisimo!
-Friskyboy
 Jean Franko films Martin Dejdar |
 Martin Dejdar sucks Jean Franko |
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