Starring: Kent Larson, Alex Collack, Collin O'Neal, Tag Adams, Owen Hawk, Mario Ortiz, Joshua Adams, Dillon Press, Tony Serrano, Rick Gonzales, Troy Punk, Joey Harden
Hot on the heels of Perfect Fit, comes a wall-to-wall sex tape with pounding rock-solid screwing and man-sex.
As the title Right to the point implies, the movie gets immediately down n' dirty, without any trivialities like
story or build-up. Walk into a back room, get hard, get off. The background music is simple and low-key.
The surroundings and graphics are mechanical in tone, tending to emphasize energy and power, as opposed to softness, tenderness and intimacy.
Director Steven Scarborough uses a number of models from Perfect Fit like bottom of the
year Tag Adams, up-and-coming sex machine Collin O'Neal, and macho man Mario Ortiz. We also get to see Tony Serrano, a Raging Stallion
favorite and versa-newbie blond Troy Punk.
Immediately up are two furry, built sex pigs Collin O'Neal and Kent Larson whose session explodes with sexual energy.
Larson (the boxcoverboy) takes O'Neal's powertool up his ass in all kinds of ways. The high point of the scene is an upwards shot of the muscular
Larson slamming his butt up and down on O'Neal, who proves here with finality that he is one masterful top.
Larson is a big guy, and he fully takes on the skilled O'Neal in power-bottom style. Their anal action is lengthy and amazingly shot
to show these two in their best form. Larson ends up on his back, sprawled over a black leather
couch, getting hammered by O'Neal, enough to make them both come.
Troy Punk tops Owen Hawk
For the next scene, Rick Gonzales and Mario Ortiz stop into the bar for refreshment from bartender Tag Adams (Road to Temptation). They get him on their
side of the bar, and proceed to fight over which latino gets to make Adams his bitch.
Adams has become arguably the star bottomboy of the year. On his knees, he handles the two gigantic uncut cocks in his face
with ease.
Gonzales has a great knob that's long and thick. Adams gives him fine head. Ortiz sticks his meat in, and the two proceed to stretch Adams'
mouth in a big fat slobbery double dicking blow-job. Then Ortiz proceeds to rim the guerito's hot ass, but it proves to be too much. Ortiz
spills his seed onto the floor.
At this point, Gonzales takes claim to his prize. Ortiz leaves and in no time, the Uruguay stud proceeds to give Adams one of the
hottest standing fucks ever captured on film.
Adams works it too, pushing back so he gets every last inch of skin and bone up inside him. Then, in a great position switch, Adams upturns his body
ass-high so that Gonzales slams down on him from above. The top's big meat slamming into Adams like this is another great visual.
To finish, Adams stays in his upturned position so that he sprays a big load of white cum all over his face.
For scene three, the lanky Owen Hawk emerges to begin playing with a fully erect Troy Punk. Punk is a hairy chested
blonde with good looks and a superfine butt. These two equally matched sex machines pump their hard cocks into
their hungry mouths to the sound of slurping. Hawk's dick in particular is sexy, in all its smooth, uncut glory.
The two proceed to engage in a fine sequence of animalistic versatility.
Hawk laps at Punk's meaty butt before he sticks it in. He grinds into Punk who lays back in a black leather
chair. Hawk then lays in the chair, so Punk can sit down on the guy's big gearshift.
They two switch positions so the boyish Hawk can get his ass rammed doggie style. Punk slams his pole up inside him, while
both penises stay rockhard.
Hawk shoots his load over Punk's dick which immediately squirts out its own juice.
The next scene brings back Mario Ortiz for a gamut of full action. He is joined by Hot House's in-house pig bottom
Alex Collack and the burly Dillon Press (Twisted 2). Press lavishes his tongue
on Ortiz's ass. Ortiz gives a full rimming to
Collack, which gets the boy's hungry ass even hungrier.
Bottomboy Collack, sprawled on his back, takes these two monster men with ease. First Ortiz pushes his upward curved treetrunk
inside. Then Press gets his turn on that butt.
The tops kiss each other while plowing Collack.
The second half of the scene involves the two tops pushing an ever growing selection of dildos into
Collack's hole. No manrammer appears to big for this boy. Collack then jacks out his own load while firmly
impaled with the Bam cock --- a most impressive feat.
Press shoots a hefty money shot all over the bottom's pale white face.
The final scene of Screw: Right to the point is another high-energy duet between Tony Serrano and tattooed
Joshua Adams. Joshua Adams gives the standing Serrano an enthusiastic blowjob, while the hispanic keeps his hand firmly
pressed against Adams' shaved head.
Serrano is one of the best tops in the business today, taking on all kinds of hot ass with ease.
The two models kiss each other wildly. They strip to, and beyond, their tight jockstraps.
Serrano, despite his top performances, sports a beautifully curved backside and ass.
Adams feasts away at this as Serrano verbally urges him on. After this, Serrano eases on inside Adams, whose smooth, pale ass is framed by a tight
black jock.
Serrano bangs out a fine screwing to Adams, who stands doggie. Then badboy Adams sits his butt down in Serrano's lap, humps him, which
is enough for the hispanic to pull out and shoot everywhere.
Disc Two
The second disc, which is sold in the Director's Cut, contains several fetish scenes that will please its targeted audiences. First is an intense
bonus scene showing Alex Collack (Communion) getting fisted by Joey Harden. Collack has one hole that cannot quit, and Scarborough captures the communication
between this oriface and Harden's gloved hand beautifully.
The sight of Collack's rosebud causes Harden to easily jack off his own money shot.
There is also a continuation of the Gonzales / Tag Adams duet, where after they come, Gonzales washes off all the come with his piss.
A surprisingly hot bonus is a fifteen minute reedited sequence of the entire movie. Sort of like one all-out lengthy preview, it's
great continuous play party material.
Screw: Right to the point is almost two hours of hard core mansex. Great photography and a moody, fitting musical score
round out this fine 2004 release. Watch for its accompaniment - Screw 2.
Hot on the heels of 
