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Categories: Euro-Muscle Guys | Tattoos
One of the most prolific producer/directors of contemporary gay porn is Csaba Borbely, operating out of
Eastern Europe with some of the most beautiful men on film. When you've done as many films as Borbely has,
some are bound to be better than others, although one has to give him credit for extraordinary imagination.
I call him The King of Trick Fucking because in almost every film, he surprises us with some unexpected way of putting the pretty bodies together or some bizarrely different camera angle.
As Borbely films go, Lovers of Arabia, the first of a film triad draped in Middle Eastern flair, rates somewhere in the middle. Scene 1 features Ray Phillips, Brian Wels, and Luciano Endino ( Santorini Heatwave). Wels, while not twinkish in any sense, embodies a smooth, boyish beauty.
Endino, who is almost always showcased with a 5- o'clock shadow, reeks with classic, hirsute masculinity; and, Phillips, who made his big-dicked debut in Sunstroke, is becoming one of today's master cocksmen. Suffice it to say that Phillips and Endino have their way with Wels.
If BIG BEEF is your thing, Scene 2 is for you. The scene opens with Ron Miller and Dragan Cszerny blowing Fernando Nielsen, who returns the favor. Although Cszery and Miller appear to pray to the steroid god, Nielsen is one of my favorites since I'm into man-made muscle that bottoms.
Enter Rick Perry who begins to appreciate himself while observing the other three go at each other. With a huge prick and sincere eagerness that generally comes across in his films, Perry is absolutely destined to be a star.
I thoroughly enjoyed the Perry-Nielsen 69 sequence as the other two massive, tattooed hunks whack to a blow. Exit the steroid twins to leave Nielsen and Perry for some truly hot copulation. I just love watching Nielsen ride a big dick, which we get to see in several of his films.
In Scene 3, Claudio Antonelli, Gilbert Bosco and Nico Luchini gang up on another of my favorites Jack Laurel. Antonelli, smoothe and sleek but ripped as well, is a staple of Borbely films and always fun to watch.
Bosco sports an interesting flat top haircut, and Luchini, with all of his swarthiness, is a quickly rising star. Laurel, who debuted in Jackhammered as a top, has become one of Borbely's most popular bottoms; and he is well just beautiful head to toe in my book.
The last Scene features Fred Goldsmith (Island Daze) getting rammed by the enormous prods of Fabrice Felder and Gabriel Stone. Goldsmith, another of my favorites given his incredible thighs and unusual versatility, only topped in his early films for High Octane. You must watch this man work his tool in Male Search and in Border Patrol!!!
He gives it up for Borbely's camera and always has a prick as stiff as blue steel while doing so. He clearly enjoys taking it as well. Wow!
I've never seen a Borbely film without redeeming qualities. This one certainly has its fair share.
To each his own!
-Texas Dude


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