The film begins with roommates Joe Craig and baby faced Robbie Berkeley awakening, joking around and starting their day. The brunet Craig heads for a job, and Berkeley to the house basement for a workout. Berkeley scores first with one of the brothers, Tim Lees. They go at it on a weight bench, that begins with an all out suckfest, which enhanced by much verbalizing.
Rimming, fingering and flip flop screwing follows. Like many of the other scenes, the performers are sure to get it into their partner's mouths.
Watch NowFor this filming, Parks was a strawberry blond, and his meat is legendary. Craig handles it like an apt pupil, and Parks's money shot is magna cum laude.
The movie's high point pairs student Mike Gibson with telephone repairman John Von Crouche. They descend into the basement where casual conversation morphs to flirtations. Von Crouche, a pretty boy with a USMC tattoo, carries an effortless masculinity. Completely devoted to his sexual partner, he is the find of the film. They move to a narrow staircase where they are joined by Sparky Ames, who wanders in and both guys ravish.
Gibson's lanky frame and all-knowing look perfectly completes the trinity. Gibson steers the conversation into sexual territory, through a brilliantly photographed show of switch-off anal action, rimming and sucking. This scene is one of those memorable entities that people remember years later when thinking of this genre, which is probably why Catalina has been fond to include it in their DVD compilations of pre-condom scenes.
The movie's final scene shows Craig and Berkeley back in their room. The roommates move their friendship into more intimate territory as they plan out their spring break together. Late at night, they undress in the shadows. They give each other head, easing into some powerful face-sitting and ultimately trading top and bottom roles.
As before, Craig releases a remarkable money shot.
Frat House Memories doesn't have a weak moment. A nice balance of familiar faces, it contains many faces who passed briefly through the industry, notably Von Crouche. This film - if you can find it - is covered with William Higgins magic fingerprints.
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