Best Little Warehouse in L.A.
- William Higgins
- Laguna Pacific
- Cliff Austin , Dusty Sands , Ed Michaels , Frank Johns , Giorgio Canali , Lance Whitman , Michael Christopher , Mike Dean , Morgan , Rick Kennedy , Terry Craig
- Pre-Condom ⋅
There's Nothing Dirty Going On!
A series of scenes affiliated by a blue-collar ambience, the movie contains six episodes, three of which feature the butch, beefy Christopher. He seems born to wear faded bluejeans and dusty workboots. His rugged looks and husky voice suggest that he's strict trade, an unattainable fantasy figure.
This is exactly why his versatility and voracity come as such a surprise. Viewers will delight in his everhard, oversized erection, unshaved ass, and big gushers of cum.
In the beginning, the strips and sucks lanky blond Ed Michaels in the shipping room, before unending the boy and plowing his with the force of an oil derrick. Christopher shoots by letting the bottom use both hands to bring him off.
Michael Christopher BottomsIn the second scene, Christopher hooks up with a delivery man, Giorgio Canali (William Higgins' Class Reunion), which is where our star shifts gears. Christopher expertly deep-throats Canali's big Italian sausage before he flips over to take it in his rear end. Higgins shows us the energy of the sexual experience as we see Christopher gasp and float off into space while taking it, and the while his own erection stays at full height.
Spanking in the Warehouse!The third scene is a ball-buster starring Christopher, Mike Dean and Rick Kennedy. Catching Dean and Kennedy not working, he begins spanking both of them. After a round of sucking, he orders the two to have sex in front of him while he watches. Before long, he joins in by slipping in the middle of a most-appetizing sandwich. The scene culminates with Dean unloading a rainstorm splatter shot and Christopher gushing a six-spurter money shot.
The next scenes are include Cliff Austin and Terry Craig tinkering with their car, and electricians Frank Johns and Dusty Sands in the warehouse. There is a famous, potent closing scene where Dean returns, this time to have an energetic flip-flop sex scene with the boyish blonde Morgan.
The film closes with three delicious bonus solos from Christopher, Dean and Lance Whitman. The direction is crisp and inventive, made only more special by capturing Michael Christopher in his finest hour.