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Another technique employed here is Brandon takes traditional bottoms like Carlos Morales, Remy Delaine and Owen Hawk and assigns them new work. Not only do they bottom, but they also switch to top. And actually Morales here performs extensively as an exclusive top.
The result is a fantastic easing of the rigid rules of roles that almost all sexfilms assume. This switching around works in the film very naturally, not in a forced or staged way. In fact, by giving them topman roles, Brandon has fully utilized the complete talent skills of his bottoms.
And the viewer will certainly get his money's worth.
Remy Delaine is a smoldering sexpup who starts the film gobbling on a beautiful, thick cock. Eventually the camera reveals its owner is Carlos Morales. Since Morales is typically pegged into bottom roles, watching him expertly screw Delaine is like discovering a lost chapter to a favorite book.
They are joined by Justin Christopher, a strong and silent type Latino with an enormous, beautiful dick. Delaine rides Christopher tool, followed by Morales assplowing the Frenchman with relentless thrusts. Morales finishes, blows a hot load and exits, leaving the others to complete another full round of sex. First, Christopher dogs Delaine, which is followed by Delaine plowing Christopher. In a memorable sequence, Christopher stretches his long frame out over a table, gripping the ends in pleasure with both hands.
This is more than just piggy dungeon sex, but rather a capturing of male sensuality brought about by the highest of lusts.
Another element employed throughout the movie is the heavy use of black jockstraps. In a movie devoted by its title to the quest of ass, what better accessory to accentuate the hot butts of the models? More nice thinking.
Their sexual episode is all the more satisfying because it is introduced by a thirteen minute appetizer showing the two models with their eyes fixed on each other, masturbating.
Gonzales jacks his cock with his eyes fixed on Sinclair like he's raw meat about to be consumed whole. Meanwhile, Sinclair pushes a buttplug in and out of his ass, fully presenting himself on a plate to the hungary carnivore. The guys slowly masturbate, pose before each other, never touching, and culminates with the release of the first round of loads.
After this comes a solo by the beefy Troy Punk, which is highlighted by some truly incredible ass shots.
After this, the movie cuts to Morales easing himself into a spread eagle Owen Hawk. Hawk uses a specially constructed table to pin his legs and arms back for perfect insertions. This combination of props and beautiful bodies yields some fantastic camera shots. Hawk augments everything by grunting and thrusting his body into Morales as he propels himself into the bottom's ass.
After this Tamas Eszterhazy drops in from Hungary just in time to bend over and take a full round Hawk's uncut cock up his ass. Hawk's sweet balls slap and bounce as he bangs him. After Hawk releases his cum, he exits, leaving Eszterhazy to hop onto Morales' awaiting erection.
There are no establishing shots, but the movie's set is constructed like a sexclub. The events are paced in a fluid way to actually simulate what hot studs in such a place would do. The musical accompaniment from J.D. Slater is atmospheric, giving an isolated otherworldly feel, much like those places emanate.
But the best element is the absolutely electric performances coaxed out of the models, who are all true world-class sexualists.
 Watch on Rear Stable or Naked Sword Owen Hawk opens for Carlos Morales |
 Watch on Rear Stable or Naked Sword Rick Gonzales pounds Gabriel Sinclair |
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